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<oembed><version>1.0</version><provider_name/><provider_url>https://www.mcelhinneyart.com/jlmcelhinney</provider_url><author_name>James L. Mcelhinney</author_name><author_url>https://www.mcelhinneyart.com/jlmcelhinney/author/admin002/</author_url><title>SKETCHBOOK TRAVELER: Dispatch # 87. Hidden Valley, Joshua Tree National Park. February 20-21, 2012. -</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="TA58PuqhpL"&gt;&lt;a href="https://www.mcelhinneyart.com/jlmcelhinney/hidden-valley-joshua-tree-national-park/"&gt;SKETCHBOOK TRAVELER: Dispatch # 87. Hidden Valley, Joshua Tree National Park. February 20-21, 2012.&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.mcelhinneyart.com/jlmcelhinney/hidden-valley-joshua-tree-national-park/embed/#?secret=TA58PuqhpL" width="600" height="338" title="&#x201C;SKETCHBOOK TRAVELER: Dispatch # 87. Hidden Valley, Joshua Tree National Park. February 20-21, 2012.&#x201D; &#x2014; " data-secret="TA58PuqhpL" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
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</html><description>Drawing and writing are two sides of the same coin. Both are sensory-cognitive practices. One makes visible the spoken word, while the other transcribes visual sensation into written form. One finds in East Asian painting an almost effortless rapport between calligraphy and picture making, perhaps due in part to a writing system that has preserved &hellip; Continue reading &rarr;</description><thumbnail_url>https://www.mcelhinneyart.com/jlmcelhinney/wp-content/uploads/2021/02/28.-Hidden-Valley-w-Field-Notes-scaled.jpg</thumbnail_url></oembed>
