{"id":4482,"date":"2019-09-02T19:14:18","date_gmt":"2019-09-02T19:14:18","guid":{"rendered":"http:\/\/www.mcelhinneyart.com\/?page_id=4482"},"modified":"2020-05-19T14:46:32","modified_gmt":"2020-05-19T14:46:32","slug":"4482-2","status":"publish","type":"page","link":"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/4482-2\/","title":{"rendered":"THE PALISADES: NORTH RIVER SUITE VOLUME TWO"},"content":{"rendered":"

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Celebrating the region from between Hook Mountain to Fort Lee, The Palisades: North River Suite Volume One<\/em><\/strong> was created for the exhibition James McElhinney: Discover the Hudson Anew<\/strong><\/em><\/a>, at Hudson River Museum in Yonkers, New York, <\/a>from September 13, 2019 to February 16, 2020. <\/p>\n

Later this year, Needlewatcher Editions will publish a new suite of seven, loose-bound numbered, signed and dated archival-pigment prints of James Lancel McElhinney’s Hudson Valley journal-paintings, in a limited edition of fifty copies.
\nThe precise publication date is subject to delays caused by the COVID-19 pandemic.
\nThe planned release this new fine-press limited edition in June.<\/p>\n

After months of delay, the handmade Solander (clamshell) boxes have finally been delivered to the printer, Brilliant Graphics in Exton, Pennsylvania. We are all very pleased with the result, and the crisply debossed title-graphics.<\/p>\n

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A portion of the limited edition has already been sold. Under these present extraordinary circumstances, the subscription price of 900USD has been extended to the publication date. To reserve a copy, write to ed******<\/span>@***********<\/span>er.com<\/span><\/a>, title-line “PLaisades”<\/p>\n

Reserve your copy now, and receive as a bonus a color-intaglio etching printed by Philadelphia master-printer Cindi Royce Ettinger<\/a><\/p>\n

Preview:<\/p>\n

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\n(Handmade cloth-covered Solander (clamshell) box, 12 x 15 inches. Graphics are debossed. The above was the mock-up for the design)<\/p>\n

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\n(Title-page. 11 x 14 inches, as are all the prints. Details below of images, each 3.5 x 10 inches<\/p>\n

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\n1.Manhattan from Fort Lee
\nThe Lenni Lenape called the Palisades \u201cWeehawken\u201d (\u201crocks that look like trees\u201d). On a grassy ledge, just north of the western portal of the Lincoln Tunnel, Vice President Aaron Burr mortally wounded former Secretary or the Treasury Alexander Hamilton in a duel fought on July 11, 1804. The site is six miles downstream from this overlook. The southern end of Fort Lee State Park is marked by a steep declivity, a break in the sheer precipice that girds the western bank of river. Across the Hudson, northern Manhattan landmarks such as Riverside Church and Grant\u2019s Tomb are visible, with the towers of Midtown and Lower Manhattan beyond.
\nA century earlier, Fort Lee had become a major center of motion-picture production. William Fox established Fox Film Corporation in 1915. Young Thomas Hart Benton worked in Fort Lee as a scenic artist. Film crews shot cliffhanger endings along the Palisades for serials like The Perils of Pauline. Despite the sylvan setting, there was a constant roar from the bridge. <\/p>\n

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\n2. Revolutionary War Battery, Fort Lee
\nFrom Fort Lee, atop the Jersey Palisades, George Washington watched in horror on November 16, 1776, as British and Hessian troops overwhelmed Continentals who had taken cover in Fort Washington, a large earthwork occupying the highest point on the island of Manhattan. Shortly thereafter, Redcoats led by Charles Cornwallis scaled the Palisades a few miles to the north, intending to trap Washington with a flank attack. Washington executed a brilliant withdrawal across New Jersey and into Bucks County, Pennsylvania. Five weeks later he crossed the Delaware and fell on the Hessian garrison at Trenton, winning a stunning victory for the patriot cause.
\nConstruction of the George Washington Bridge, which opened in 1932, carved a ditch through the basaltic diabase cliffs to accommodate the roadway. In 1937 New York and New Jersey created the Palisades Interstate Park Commission, with Monument Park (Fort Lee) as its southernmost terminus. For the bicentennial of the American Revolution, parking lots and an interpretive center were built. Earthworks were restored to re-create the feeling of an eighteenth-century fort. When I first visited the site, in the 1990s, the fiberglass revetments had faded and were cracking. Recent improvements replaced these with timbers. A blockhouse and cabin were built, along with a coastal battery. On the anniversary of the battle, artillerymen fire salutes from the cannons, rattling Manhattan windowpanes. <\/p>\n

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\n3. The Heather Garden, Fort Tryon Park
\nNorthern Manhattan possesses nearly five hundred acres of parklands, divided primarily between Highbridge Park, Fort Tryon Park, and Inwood Hill Park, along with smaller parks and green spaces scattered across the island above 155th Street. Since the 1970s, nonprofit conservancies have played a key role in locating non-government funding for the maintenance and improvement of New York parklands. The New York Restoration Project planted one million trees, making New York one of the greenest cities in the nation. The Heather Garden and Alpine Garden in Fort Tryon Park attract thousands of visitors every year. <\/p>\n

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\n4. The Jersey Palisades from below The Cloisters
\nShaded by rocky outcroppings, an esplanade runs along the bluff, offering spectacular views of the Jersey Palisades\u2014a sheer wall of basaltic diabase sill. One hundred yards southeast of this prospect stands The Cloisters\u2014a facility operated by the Metropolitan Museum of Art as a museum of medieval art, comprising reconstructed enclosures, gardens, and chapels collected by sculptor George Grey Barnard that later were acquired by John D. Rockefeller Jr. and reassembled atop North Hill in Washington Heights by architect Charles Collens. The site was previously occupied by an estate owned by industrialist, harness-racing enthusiast, and art collector Cornelius Billings. The rocky, vertiginous terrain known today as Fort Tryon Park is crisscrossed by stairways, trails, woodlands, and clearings laid out by Frederick Law Olmsted Jr. Trails descend to Broadway and Dyckman Street, where pedestrians and bicyclists can access a trail that leads downstream to the Battery. This view is from a ledge on the northwestern shoulder of North Hill, near the site of the advance of Hessians led by Johann Rall on November 16, 1776. Wildlife has returned to the park. While visiting, I have seen various avian species, including bald eagles, as well as woodchucks, skunks, raccoons, and worrisome reptiles.<\/p>\n

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\n5. Yonkers from State Line Park
\nThe Palisades Interstate Park Commission was created in 1900 by a mutual agreement between the states of New York and New Jersey to preserve the natural environment on the right bank of the Hudson River and to protect the Palisades from being quarried like Hook Mountain, an extension of the same basaltic sill that rises up from the northwestern shores of Tappan Zee. The parklands atop the Palisades are traversed by the historic Long Path, now part of the Empire State Trail. A short distance south of the boundary line between the two states, the trail reaches State Line Overlook, which is also accessible from the northbound lanes of the Palisades Interstate Parkway. A large parking lot serves the caf\u00e9, visitor center, and bookstore. The path at this point is macadamized. Several walled promontories have been built at the very edge of the cliffs. Looking north across the river one finds the village of Hastings-on-Hudson, with Dobbs Ferry beyond. To the south are wooded hills occupied by Lenoir Preserve, Untermeyer Gardens, and Trevor Park. Beyond, the warm tones of the masonry and tall buildings mark the location of downtown Yonkers. Taking note of the number of passing ships and oil barges, I tried to envision the Hudson in 1820, with a quotidian flotilla of several hundred steamboats and sailing vessels plying its waters, a major artery of trade and empire.<\/p>\n

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\n6. Looking South from Lamont Weather Station at Piermont
\nPiermont jetty juts into the stream by the marsh at Sparkill. Below Tallman Bluff, the western shore becomes a wall of tall basalt. At its foot, thickly wooded margins shade heaps of giant rock fall. Slipping past the eastern shore, past stately homes of patriots, poets, and robber barons, past Manhattan, the harbor islands, and the Narrows, past Brooklyn\u2019s sandy beaches, through Raritan Bay, and beyond Sandy Hook, the Hudson disappears into the Atlantic Ocean. The river is 507 miles long. At a rate of flow averaging three miles per hour, a specific volume of water takes one week to move from the source to the sea. It is intermittently navigable above the tidewater stretch of the river but famously is fraught with treacherous tides and currents. Its indigenous name, Mahicannituck, is translated as \u201cwaters that are never still,\u201d or \u201cthe river that flows both ways.\u201d<\/p>\n

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\n7. Hook Mountain from Croton Point
\nExtending from Nyack to the Tors towering over West Haverstraw, Hook Mountain is considered part of the Palisades that ends just south of Piermont. The name of this sheer basaltic escarpment crowned by a narrow ridge was inspired by its appearance on maps\u2014an inverted hook, with its point at High Tor.
\nLocated just north of the mouth of Croton River, the hilly peninsula known as Croton Point reaches out from the left bank in a southwesterly direction. Marking the division between Tappan Zee and Haverstraw Bay, the land is maintained by Westchester as a county park. The name is an Anglicization of Kenotin\u2014the name of an indigenous tribal leader who lived near the mouth of the eponymous river during colonial days. The cluster of trees seen to the left is Crawbuckie Park. Far in the distance, across the Tappan Zee, is Tallman Mountain, the northern end of the Palisades. Traveling upriver, the lower Hudson is a series of seas and bays, from Raritan Bay through the Narrows, from the harbor into North River channel. Beyond lies Tappan Zee, Haverstraw Bay, and Peekskill Bay. To be precise, the Hudson is not a river here but a tidal estuary reaching another 130 miles upstream. <\/p>\n

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\n(Colophon and guide to the images. 11 x 14 inches. This replaces the chapbook in Volume One)<\/p>\n

A nice endorsement from Fine Art Connoisseur<\/em> <\/a>magazine<\/p>\n

Limited Editions published by Needlewatcher Editions can be found in the following collections:<\/p>\n

Albany Institute of History and Art<\/a>
\nAvery Fine Art and Architecture Library, Columbia University<\/a>
\nBoscobel House and Gardens, Garrison, New York<\/a>
\nCity of Philadelphia. Water Department Archives <\/a>
\nUniversity of Denver. Library Special Collections<\/a>
\nFree Library of Philadelphia. Print and Picture Collection<\/a>
\nHistorical Society of Pennsylvania, Philadelphia<\/a>
\nHudson River Museum, Yonkers New York<\/a>
\nHuntington Library and Museum, San Marino, California<\/a>
\nNewberry Library. Chicago, Illinois<\/a>
\nNew York Public Library. Wallach Division <\/a>
\nPennsylvania Academy of the Fine Arts. Special Collections<\/a>
\nSwarthmore College. Library Special Collections.<\/a>
\nWest Point Museum, United States Military Academy<\/a>
\nTemple University. Samuel L. Paley Library <\/a>
\nYale Beinecke Rare Book and Manuscript Library.<\/a><\/p>\n

Plus many more private collections in California, Colorado, Connecticut, Illinois, Massachusetts, Missouri, New Jersey, New Mexico, New York, North Carolina, Pennsylvania, and New Zealand.
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\nTo find out how to become a subscriber, open or download this PDF
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