{"id":9812,"date":"2022-12-14T12:38:13","date_gmt":"2022-12-14T12:38:13","guid":{"rendered":"http:\/\/www.mcelhinneyart.com\/?page_id=9812"},"modified":"2022-12-27T18:36:43","modified_gmt":"2022-12-27T18:36:43","slug":"james-lancel-mcelhinney-periodicals-and-peer-reviewed-journals","status":"publish","type":"page","link":"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/james-lancel-mcelhinney-periodicals-and-peer-reviewed-journals\/","title":{"rendered":"James Lancel McElhinney: Essays &#038; Articles"},"content":{"rendered":"<p>(This page is under construction. Links to more detail are being added to the tiles below)<\/p>\n<p><a href=\"https:\/\/www.mcelhinneyart.com\/articles-fine-art-connoisseur-magazine\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-9763\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/FAC-AUTHOR-TILE-292x280.jpg\" alt=\"\" width=\"292\" height=\"280\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/FAC-AUTHOR-TILE-292x280.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/FAC-AUTHOR-TILE-1024x981.jpg 1024w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/FAC-AUTHOR-TILE-768x736.jpg 768w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/FAC-AUTHOR-TILE.jpg 1445w\" sizes=\"auto, (max-width: 292px) 100vw, 292px\" \/><\/a><a href=\"https:\/\/www.mcelhinneyart.com\/articles-orientations\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-9765\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/orienttations-tile-1-292x281.jpg\" alt=\"\" width=\"292\" height=\"281\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/orienttations-tile-1-292x281.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/orienttations-tile-1-1024x984.jpg 1024w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/orienttations-tile-1-768x738.jpg 768w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/orienttations-tile-1.jpg 1448w\" sizes=\"auto, (max-width: 292px) 100vw, 292px\" \/><\/a><a href=\"https:\/\/www.mcelhinneyart.com\/essays-hudson-river-valley-review\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-9762\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/HRVR-COVER-TILE-292x281.jpg\" alt=\"\" width=\"292\" height=\"281\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/HRVR-COVER-TILE-292x281.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/HRVR-COVER-TILE-1024x984.jpg 1024w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/HRVR-COVER-TILE-768x738.jpg 768w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/HRVR-COVER-TILE.jpg 1448w\" sizes=\"auto, (max-width: 292px) 100vw, 292px\" \/><\/a><a href=\"https:\/\/www.mcelhinneyart.com\/essays-the-capitol-dome\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-9764\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/Capitol-Dome-tile-292x277.jpg\" alt=\"\" width=\"292\" height=\"277\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/Capitol-Dome-tile-292x277.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/Capitol-Dome-tile-1024x972.jpg 1024w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/Capitol-Dome-tile-768x729.jpg 768w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/Capitol-Dome-tile.jpg 1446w\" sizes=\"auto, (max-width: 292px) 100vw, 292px\" \/><\/a><a href=\"https:\/\/www.mcelhinneyart.com\/essays-american-arts-quarterly\/\"><a href=\"https:\/\/www.mcelhinneyart.com\/essays-and-podcasts-american-arts-quarterly\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-9766\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/AAQ-Tile-1-292x281.jpg\" alt=\"\" width=\"292\" height=\"281\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/AAQ-Tile-1-292x281.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/AAQ-Tile-1-1024x986.jpg 1024w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/AAQ-Tile-1-768x739.jpg 768w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/AAQ-Tile-1.jpg 1439w\" sizes=\"auto, (max-width: 292px) 100vw, 292px\" \/><\/a><\/a><a href=\"https:\/\/www.mcelhinneyart.com\/monographs-and-exhibition-catalogues\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-10240\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/HRC-TILE-292x279.jpg\" alt=\"\" width=\"292\" height=\"279\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/HRC-TILE-292x279.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/HRC-TILE-1024x979.jpg 1024w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/HRC-TILE-768x735.jpg 768w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/HRC-TILE-1536x1469.jpg 1536w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2022\/12\/HRC-TILE.jpg 1813w\" sizes=\"auto, (max-width: 292px) 100vw, 292px\" \/><\/a><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #999999;\"><strong>ESSAYS &amp; ARTICLES<\/strong><\/span><\/p>\n<p><strong><em>Going to Extremes: The Art of Tony Foster<\/em>. Fine Art Connoisseur magazine. July-August 2022.<\/strong><\/p>\n<p><strong><em>Picturesque and Sublime: Thomas Cole\u2019s Transatlantic. <\/em>Book review<em>. <\/em>Hudson River Valley Review. 2022<\/strong><\/p>\n<p><strong><em>Don Troiani<\/em>. Fine Art Connoisseur magazine. March-April.2022.<\/strong><\/p>\n<p><strong><em>Looking Forward: Remembering Creative Lives<\/em>. Fine Art Connoisseur magazine. Nov.-Dec.2021.<\/strong><\/p>\n<p><strong><em>Explorers, Naturalists and the Military Precursors of the Hudson River School<\/em>. Hudson River Valley Review. Hudson River Valley Institute. Marist College. Spring 2021.<\/strong><\/p>\n<p><strong><em>Symbols of Status and Artistry: Asian Export Sword Guards and Nanban Tsuba<\/em>. Orientations magazine. July-August. 2019. Hong Kong<\/strong><\/p>\n<p><strong><em>Seth Eastman\u2019s Fort<\/em>s.<\/strong> The Capitol Dome. U.S. Capitol Historical Society. June\/July 2018. Washington DC<\/p>\n<p><strong><em>Bo Bartlett: Artist, Patron, Community Leader<\/em><\/strong>. American Arts Quarterly. Fall 2016. Vol. 33, No. 4.<\/p>\n<p><strong><em>Death Valley &#8211; An Ongoing Exploration:<\/em><\/strong> The Paintings of Janet Morgan &amp; Gregory Frux, Artists in Residence. Exhibition Catalogue.\u00a0 Death Valley National Park. 2015<\/p>\n<p><strong><em>Charles Courtney Curran<\/em><\/strong>. American Arts Quarterly. Winter 2011. Vol. 28, No. 1.<\/p>\n<p><strong><em>Anatomy Academy<\/em>: Philadelphia, Nexus of Art and Science<\/strong>. American Arts Quarterly. Volume 28, number 3. 2011<\/p>\n<p><em><strong>Hudson River Contemporary: Works on Paper.<\/strong> <\/em>Exhibition catalogue co-authored with Dr. Katherine E. Manthorne. Boscobel House and Gardens. Summer. 2011<\/p>\n<p><em><strong>Dressed to Kill: The Art of Armor in the Metropolitan Museum of Art.<\/strong><\/em> Fine Art Connoisseur magazine. 2010.<\/p>\n<p><strong><em>How Training Artists in Liberal Arts Environments Fail<\/em>s<\/strong>. American Arts Quarterly, Summer 2008<\/p>\n<p><strong><em>From Peale to Pixa<\/em>r<\/strong>. American Arts Quarterly. Fall 2006<\/p>\n<p><em><strong>Lost in Our Own Backyard<\/strong><\/em>. American Arts Quarterly. Spring 2006<\/p>\n<p><strong>Jesse Dominguez<\/strong>. Exhibition catalogue. Central Michigan University. Mount Pleasant. 2006<\/p>\n<p><em><strong>Peter Saari.<\/strong><\/em> Exhibition catalogue. O.K. Harris Gallery. New York. 2005<\/p>\n<p><em><strong>The Rebirth of Drawing<\/strong><\/em>. American Arts Quarterly. 2004<br \/>\n<em><br \/>\n<\/em><strong>S<em>ummer Academies<\/em><\/strong><em>.<\/em> American Arts Quarterly. 2004<\/p>\n<p><em><strong>Centro Studio Vetro. <\/strong><\/em>Glass Magazine. Urban Glass Foundation. Fall 2002<\/p>\n<p><em><strong>J. Chris Wilson: A Retrospective<\/strong><\/em>. Exhibition catalogue. Center for the Arts. Rocky Mount, North Carolina. 2002<\/p>\n<p><em><strong>Art and the Sword. <\/strong><\/em>Annual Journal of the Japanese Sword Society of the United States. Editor. 1988-1990.<\/p>\n<p><em><strong>Spectacular Helmets of Japan. 16th-19th Century<\/strong><\/em>. Review of exhibition at Japan Society, New York. Metalsmith magazine. Society of North American Goldsmiths. Spring\u00a0 1986.<\/p>\n<p><a href=\"https:\/\/www.mcelhinneyart.com\/author\/\"><strong>RETURN<\/strong><\/a> To <a href=\"https:\/\/www.mcelhinneyart.com\/author\/\"><strong>AUTHOR<\/strong><\/a> page<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(This page is under construction. Links to more detail are being added to the tiles below) ESSAYS &amp; ARTICLES Going to Extremes: The Art of Tony Foster. Fine Art Connoisseur magazine. July-August 2022. Picturesque and Sublime: Thomas Cole\u2019s Transatlantic. Book review. Hudson River Valley Review. 2022 Don Troiani. Fine Art Connoisseur magazine. March-April.2022. Looking Forward: &hellip; <a href=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/james-lancel-mcelhinney-periodicals-and-peer-reviewed-journals\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">James Lancel McElhinney: Essays &#038; Articles<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-9812","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>James Lancel McElhinney: Essays &amp; Articles -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/james-lancel-mcelhinney-periodicals-and-peer-reviewed-journals\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"James Lancel McElhinney: Essays &amp; Articles -\" \/>\n<meta property=\"og:description\" content=\"(This page is under construction. 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