{"id":3063,"date":"2018-10-26T11:41:34","date_gmt":"2018-10-26T11:41:34","guid":{"rendered":"http:\/\/www.mcelhinneyart.com\/?p=3063"},"modified":"2018-10-26T12:13:43","modified_gmt":"2018-10-26T12:13:43","slug":"talk-travels-tools-techniques-19th-century-artist-expeditions","status":"publish","type":"post","link":"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/talk-travels-tools-techniques-19th-century-artist-expeditions\/","title":{"rendered":"TONIGHT: TALK AT BOSCOBEL: TRAVELS, TOOLS AND TECHNIQUES OF 19TH-CENTURY ARTIST EXPEDITIONS"},"content":{"rendered":"<p>James Lancel McElhinney has revived the historic practice of journal-painting, unpacked as print-suite in the tradition of William Guy Wall, Jacques-Gerard Milbert, William Birch and John-James Audubon.<br \/>\nTonight at Boscobel House and Garden in Garrison, New York, McElhinney will deliver a sweeping overview of this expeditionary art-form, including the tools, techniques and material culture of traveler artists.<br \/>\nThe talk will begin promptly at 6:30 pm<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/TRAVELERARTISTHARPERS351-copy-778x1024.jpg\" alt=\"\" width=\"604\" height=\"795\" class=\"alignnone size-large wp-image-3072\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/TRAVELERARTISTHARPERS351-copy-778x1024.jpg 778w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/TRAVELERARTISTHARPERS351-copy-222x292.jpg 222w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/TRAVELERARTISTHARPERS351-copy-228x300.jpg 228w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/TRAVELERARTISTHARPERS351-copy-768x1011.jpg 768w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/TRAVELERARTISTHARPERS351-copy.jpg 1500w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/p>\n<p>DETAILS AND DIRECTIONS: <a href=\"https:\/\/www.boscobel.org\/events\/lecture-travels-tools-and-techniques-of-19th-century-artist-expeditions\/\">https:\/\/www.boscobel.org\/events\/lecture-travels-tools-and-techniques-of-19th-century-artist-expeditions\/<\/a><\/p>\n<p>William Guy Wall<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/42959613_10156890605291165_102693904997941248_n.jpg\" alt=\"\" width=\"960\" height=\"637\" class=\"alignnone size-full wp-image-3016\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/42959613_10156890605291165_102693904997941248_n.jpg 960w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/42959613_10156890605291165_102693904997941248_n-292x194.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/42959613_10156890605291165_102693904997941248_n-768x510.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/p>\n<p>Albrecht Durer<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/durer-animals1955-18481.jpg\" alt=\"\" width=\"900\" height=\"601\" class=\"alignnone size-full wp-image-3015\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/durer-animals1955-18481.jpg 900w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/durer-animals1955-18481-292x195.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/durer-animals1955-18481-768x513.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/p>\n<p>Jacques le Moyne<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/tumblr_m3042qL7Er1r7g1jxo1_1280-725x1024.jpg\" alt=\"\" width=\"604\" height=\"853\" class=\"alignnone size-large wp-image-3012\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/tumblr_m3042qL7Er1r7g1jxo1_1280-725x1024.jpg 725w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/tumblr_m3042qL7Er1r7g1jxo1_1280-207x292.jpg 207w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/tumblr_m3042qL7Er1r7g1jxo1_1280-212x300.jpg 212w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/tumblr_m3042qL7Er1r7g1jxo1_1280-768x1085.jpg 768w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/tumblr_m3042qL7Er1r7g1jxo1_1280.jpg 1280w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/p>\n<p>John White<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/3.john_white.jpg\" alt=\"\" width=\"380\" height=\"657\" class=\"alignnone size-full wp-image-3078\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/3.john_white.jpg 380w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/3.john_white-169x292.jpg 169w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/3.john_white-174x300.jpg 174w\" sizes=\"auto, (max-width: 380px) 100vw, 380px\" \/><\/p>\n<p>Albert Eckhout<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/Albert_Eckhout_Tapuia_woman_1641-609x1024.jpg\" alt=\"\" width=\"604\" height=\"1016\" class=\"alignnone size-large wp-image-3079\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/Albert_Eckhout_Tapuia_woman_1641.jpg 609w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/Albert_Eckhout_Tapuia_woman_1641-174x292.jpg 174w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/Albert_Eckhout_Tapuia_woman_1641-178x300.jpg 178w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/p>\n<p>Frans Post<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/Jaguarnieuw-Frans-Post-1612\u20131680-ca.-1638-1643.-Noord-Hollands-Archief-Haarlem-12-1024x787-1024x787.jpg\" alt=\"\" width=\"604\" height=\"464\" class=\"alignnone size-large wp-image-3014\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/Jaguarnieuw-Frans-Post-1612\u20131680-ca.-1638-1643.-Noord-Hollands-Archief-Haarlem-12-1024x787.jpg 1024w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/Jaguarnieuw-Frans-Post-1612\u20131680-ca.-1638-1643.-Noord-Hollands-Archief-Haarlem-12-1024x787-292x224.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/Jaguarnieuw-Frans-Post-1612\u20131680-ca.-1638-1643.-Noord-Hollands-Archief-Haarlem-12-1024x787-768x590.jpg 768w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/p>\n<p>Early modern explorers developed expeditionary book-painting, which were later published as prints. Created to accompany official reports, public appetite for visions of faraway places fueled a growing printing industry, which expanded the art-market from the ruling elite to a rising merchant-class, and others of more modest means. <\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_Boscobel-1024x702.jpg\" alt=\"\" width=\"604\" height=\"414\" class=\"alignnone size-large wp-image-2502\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_Boscobel-1024x702.jpg 1024w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_Boscobel-292x200.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_Boscobel-768x527.jpg 768w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_West-Point-1024x718.jpg\" alt=\"\" width=\"604\" height=\"424\" class=\"alignnone size-large wp-image-2501\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_West-Point-1024x718.jpg 1024w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_West-Point-292x205.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_West-Point-768x539.jpg 768w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_Western-Highlands-1024x713.jpg\" alt=\"\" width=\"604\" height=\"421\" class=\"alignnone size-large wp-image-2503\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_Western-Highlands-1024x713.jpg 1024w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_Western-Highlands-292x203.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_Western-Highlands-768x535.jpg 768w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_Crows-Nest-1024x726.jpg\" alt=\"\" width=\"604\" height=\"428\" class=\"alignnone size-large wp-image-2504\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_Crows-Nest-1024x726.jpg 1024w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_Crows-Nest-292x207.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2017\/11\/HHS_Crows-Nest-768x544.jpg 768w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/09\/2.-Girard-Bridges-from-Three-Angels-copy-1024x359.jpg\" alt=\"\" width=\"604\" height=\"212\" class=\"alignnone size-large wp-image-2917\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/09\/2.-Girard-Bridges-from-Three-Angels-copy-1024x359.jpg 1024w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/09\/2.-Girard-Bridges-from-Three-Angels-copy-292x102.jpg 292w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/09\/2.-Girard-Bridges-from-Three-Angels-copy-768x269.jpg 768w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/09\/2.-Girard-Bridges-from-Three-Angels-copy.jpg 1029w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/09\/JLM-Dragon-boat-copy.jpg\" alt=\"\" width=\"236\" height=\"314\" class=\"alignnone size-full wp-image-2922\" srcset=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/09\/JLM-Dragon-boat-copy.jpg 236w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/09\/JLM-Dragon-boat-copy-219x292.jpg 219w, https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/09\/JLM-Dragon-boat-copy-225x300.jpg 225w\" sizes=\"auto, (max-width: 236px) 100vw, 236px\" \/><\/p>\n<p>James Lancel McElhinney will unpack this history, and the revival of expeditionary journal-painting and publishing in his own creative practice, both as art and enterprise.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>James Lancel McElhinney has revived the historic practice of journal-painting, unpacked as print-suite in the tradition of William Guy Wall, Jacques-Gerard Milbert, William Birch and John-James Audubon. Tonight at Boscobel House and Garden in Garrison, New York, McElhinney will deliver a sweeping overview of this expeditionary art-form, including the tools, techniques and material culture of &hellip; <a href=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/talk-travels-tools-techniques-19th-century-artist-expeditions\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">TONIGHT: TALK AT BOSCOBEL: TRAVELS, TOOLS AND TECHNIQUES OF 19TH-CENTURY ARTIST EXPEDITIONS<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-3063","post","type-post","status-publish","format-standard","hentry","category-blog"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>TONIGHT: TALK AT BOSCOBEL: TRAVELS, TOOLS AND TECHNIQUES OF 19TH-CENTURY ARTIST EXPEDITIONS -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/talk-travels-tools-techniques-19th-century-artist-expeditions\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TONIGHT: TALK AT BOSCOBEL: TRAVELS, TOOLS AND TECHNIQUES OF 19TH-CENTURY ARTIST EXPEDITIONS -\" \/>\n<meta property=\"og:description\" content=\"James Lancel McElhinney has revived the historic practice of journal-painting, unpacked as print-suite in the tradition of William Guy Wall, Jacques-Gerard Milbert, William Birch and John-James Audubon. Tonight at Boscobel House and Garden in Garrison, New York, McElhinney will deliver a sweeping overview of this expeditionary art-form, including the tools, techniques and material culture of &hellip; Continue reading TONIGHT: TALK AT BOSCOBEL: TRAVELS, TOOLS AND TECHNIQUES OF 19TH-CENTURY ARTIST EXPEDITIONS &rarr;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/talk-travels-tools-techniques-19th-century-artist-expeditions\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-10-26T11:41:34+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-10-26T12:13:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/TRAVELERARTISTHARPERS351-copy-778x1024.jpg\" \/>\n<meta name=\"author\" content=\"James L. Mcelhinney\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"James L. Mcelhinney\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/talk-travels-tools-techniques-19th-century-artist-expeditions\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/talk-travels-tools-techniques-19th-century-artist-expeditions\/\"},\"author\":{\"name\":\"James L. 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Tonight at Boscobel House and Garden in Garrison, New York, McElhinney will deliver a sweeping overview of this expeditionary art-form, including the tools, techniques and material culture of &hellip; Continue reading TONIGHT: TALK AT BOSCOBEL: TRAVELS, TOOLS AND TECHNIQUES OF 19TH-CENTURY ARTIST EXPEDITIONS &rarr;","og_url":"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/talk-travels-tools-techniques-19th-century-artist-expeditions\/","article_published_time":"2018-10-26T11:41:34+00:00","article_modified_time":"2018-10-26T12:13:43+00:00","og_image":[{"url":"https:\/\/www.mcelhinneyart.com\/jlmcelhinney\/wp-content\/uploads\/2018\/10\/TRAVELERARTISTHARPERS351-copy-778x1024.jpg","type":"","width":"","height":""}],"author":"James L. Mcelhinney","twitter_misc":{"Written by":"James L. 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