Category Archives: News and Events

FREE SUBSCRIPTIONS: (NEW) SKETCHBOOK TRAVELER BLOG

AN ONGOING JOURNEY

Thinking about art can be the same as making art. At some point I came to the realization that a work of art is not just the object, but the practice that leads to its creation.  Marketable products represent but a minuscule aspect of that process. Trying to give shape to what abides beneath the surface if what first led me to writing. As it gave me another way to organize my thoughts, journal-keeping nurtured a deeper appreciate of language, which led me to write articles, essays, and books. Migrated from the easel into sketchbooks, my visual art began to dovetail with my literary efforts in ways that became a pas-de-deux between words and images. Blending lifelong interests in history, art, and the environment with a passion for travel and learning has cleared a path toward  deeper engagements with nature through drawing, painting and writing, in ways that promote environmental awareness, historic preservation and ecological civics.

Next year (2022) two more volumes of Sketchbook Traveler will be released, devoted to the Southwest, and New England. I have also just signed a contract to produce in three volumes, a 21st-century  homage to Benson J. Lossing’s 1851 Pictorial Field-Book of the American Revolution. Based on research and mindful travel through drawing and writing, these books will explore historic landscapes to unearth hidden narratives of ethnic diversity, environmental impact, and collective memory, shaped by military conflict and the process of nation-building. The first volume is scheduled for release in 2025, which will commence observances of the 250th anniversary of the American War of Independence.

Regular blog posts and updates will be published, downloadable in PDF format. Subscribers will be notified by email of these updates, as well as lectures, workshops and other events related  to these and other projects. Become a part of the journey.

WOMEN IN THE DARK. Now available to read as an e-book

 

Katherine Manthorne:  Women in the Dark. Female Photographers 1850-1900. Schiffer Publishing, 2020.

Recover the stories of long-overlooked American women who, at a time when women rarely worked outside the home, became commercial photographers and shaped the new, challenging medium. Covering two generations of photographers ranging from New York City to California’s mining districts, this study goes beyond a broad survey and explores individual careers through primary sources and new materials. Profiles of the photographers animate their careers by exploring how they began, the details of running their own studios, and their visual output. The photos featured vary in form–daguerreotype, tintype, carte de visite, and more–and subject, including civil war portraits, postmortem photography, and landscape photography. This welcome resource fills in gaps in photographic, American, and women’s history, and convincingly lays out the parallels between the growth of photography as an available medium and the late 19th-century Women’s Movement.

Size: 9″ x 10 1/2″ x 5/8″ | 72 color and b/w images | 144 pp
ISBN13: 9780764360169

 READ IT NOW

2021 SPRING SCHEDULE: WORKSHOPS AND CLASSES.

Updated Schedule of Workshops and Classes for spring, 2021. Venues include Albany Institute of History and Art, Greenwich Art Society, and Hudson River Museum.

Schedule: PDF: SCHEDULE Workshop Schedule Spring 2021

Poster: PDF: POSTER_WORKSHOPS AND CLASSES_S2021_FEB14_21

For all other enquiries, or to be placed on a list to be notified of futute workshops, classes and events, please send an email to: workshops@needlewatcher.com

Tandem Talk: Kathie Manthorne & James McElhinney. Tuesday February 23, 2021 @ 7pm.

FREE. Online.
How the Adirodnacks Changed Landspace Painting.
The talk is free and open to all. Donations are encouraged
Register HERE

 

BOOKS BY KATHERINE MANTHORNE

BOOKS BY JAMES LANCEL McELHINNEY

Some titles by Manthorne & McElhinney are also available locally, on ther Adirondack Coast of Lake Champlain at Kit & Syl Studio. 1598 Route 22. Whallonsburg. Essex, New York. 12936. (518)412-4026. hello@kitandsylstudio.com. Facebook.

DOWNLOAD PDF:

Download (PDF, 583KB)

Just arrived: Advance copy of SKETCHBOOK TRAVELER: HUDSON VALLEY

An advance copy of Sketchbook Traveler: Hudson Valley has just arrived! The brilliant crew at the Schiffer book farm in Atglen, PA have outdone themselves.
The impetus for this project was to create a hybrid that would be part art-book, part field-guide and journal, unpacking the mindful art of traveling light. We envisioned a book that would be equally at home in a backpack, or on a shelf in one’s library  I couldn’t be more pleased to find a volume that feels both like a journal one might carry in a backpack, or an attractive addition to ones library.


At Newcomb, New York. The head of navigation of the Hudson River. lake Tear of the Clouds on the slopes of Mount Marcy is the source of Feldspar Brook, which due to its elevation at 4,293 feet is accepted as the literal source of the Hudson. This can be a bit misleading if one ignores the fact that in its descent to the confluence of waters at Newcomb, the Hudson is assembled from Calamity Brook, Indian Pass Brook, Fishing Brook, Opalescent River, Newcomb Lake and others. It was here that famed Abenaki guide Mitchell Sabbattis met traveler-artists like Benson Lossing and Winslow Homer. The photo gives readers an idea of the size pf the book–large enough to festoon a coffee-table, yet small enough to carry in a knapsack.the book includes a section of work-pages with inspirational quotes.

The official publication date is late October, but the book is available now for advance purchase.

ORDER: SKETCHBOOK TRAVELER by James L. McElhinney (c) 2020. Schiffer Publishing).

Front cover (above). Back cover (below)  The spine is bound in red cloth. The book is provided with a black elastic strap, like a field-journal

Works on Paper in a new Online Exhibition.

Drawings make visible the mind of the artist. In collecting oral histories for the Archives of American Art I had the privilege of spending considerable amounts of time with prominent art-dealers and collectors. The late Eugene V. Thaw had a passion for drawing, as did the late Richard Gray. Both seemed to regard the connoisseurship of drawing as a mark of the most advanced collectors.


James Lancel McElhinney. Ballyheerin, Knockalla and Mulroy Bay from Leatbeg. Dry media on paper. 17.5 x 25 inches. Framed

I am grateful to Tony Carretta for curating several of my works in the online exhibition Drawing Today 2020.
Tony’s enterprising spirit has rallied an admirable roster of wonderful artists, many of whom have been dear friends over many years.
The exhibiton is a reminder that while life is short, art endures. Hope abides in the age of COVID.

Drawing from observation remains the best way to transform visual experience into knowledge and ideas. Drawing from memory allows one to shape knowledge into new visual experiences. Each of these practices informs the other. Fieldwork is generally regarded as preparations for the studio production of finished works. My approach is slightly different. The practice is the art, to which research, travel, sketchbook and studio activities are integral, reciprocal processes. After seeing a collection of penschildern by Van de Velde at the National Maritime Museum in Greenwich, I was encouraged to revisit the idea of graphic painting. In the late nineties I had produced a series of large palimpsests, combining maps, pictures and texts celebrating historic sites. As with my journal-paintings today, these works scorn the notion that drawing was mere lab-work, somehow inferior to paintings on canvas.

A selection of works available:


James Lancel McElhinney. Tara From Skreen. 17.5 x 24 inches. Framed


James Lancel McElhinney. Hudson Highlands from Storm King 17.5 x 24 inches. Framed


James Lancel McElhinney. Fort Washington on ther Potomac. 17.5 x 24 inches. Framed


James Lancel McElhinney. In the Margin of the Rockies. 17.5 x 24 inches. Framed


James Lancel McElhinney. Fort Lee aka Fort Constitution. 17.5 x 24 inches. Framed


James Lancel McElhinney. Bastion Belvedere: Constitution Marsh and West Point from Boscobel. 17.5 x 24 inches. Framed


James Lancel McElhinney. Canyon de Los Frijoles. Bandelier National Monument. 17.5 x 24 inches. Framed


James Lancel McElhinney. Fort Macon. North Carolina. 17.5 x 24 inches. Framed

Drawing Today 2020. Curated by Tony Carretta. New Arts Projects, Litchfield Connecticut.
PDF:

Download (PDF, 266KB)


All works in the exhibition are available for purchase.

Follow James Lancel McElhinney and The Sketchbook Traveler on Facebook, Linkedin, Twitter and Instagram.

Peruse previous posts here. Dispatches #1-70. April 1-June 8, 2020.

Coming Soon: Hardcover. $24.95. From Schiffer Publishing. Release date: September 2020.

Proofs for the new limited edition Grand River Sketchbook have arrived.

NOTICE: Needlewatcher Editions will publish my new suite of archival pigment prints, Grand River Sketchbook

Based on journal-paintings produced during my 2018 exploration of the Rio Grande between John Dunn Bridge and Kuaua Pueblo, a suite of ten signed, dated and numbered images printed by Orion Studios in Santa Fe, in a custom binding produced by master bookbinder Mita Saldana of Against the Grain Bookbinding in Albuquerque.

To be notified when this will be available for subscription, please write to editions@needlewatcher.com, subject-line Grand River

Advance Subscription Opportunity. PALISADES: NORTH RIVER SUITE VOLUME TWO in a limited edition of fifty copies

Reserve a copy at the discounted VIP Advanced Subscriber price of 900.00USD
Deposit requested: 450.00USD. (Remaining balance of 450.00USD due prior to delivery)
Projected publication date: Spring, 2019. Retail value 1600.00USD
New York Residents add 08% sales tax.
To pay by credit card call 347-266-5652
Or pay by check: Payable to Needlewatcher LLC. PO box 142. West Haverstraw, New York. 10993-0142
Or send your payment to Paypal username editions@needlewatcher.com

Due to production delays resulting from the COVI19 crisis, this offer has been extended.

To reserve your copy, or for more information, please emaileditions@needlewatcher.com, subject line “Subscribe”

PREVIEW
Needlewatcher Editions announces the forthcoming publication of PALISADES: North River Suite Volume Two in a suite of seven (7) numbered, signed and dated archival digital prints. Loosely bound in a fine cloth-covered Solander (clamshell) box. The edition is produced with 100% archival materials and limited to fifty (50) copies. Advance subscribers receive a significant discount (33%) on the purchase price. Scroll down for details and to download a PDF fact-sheet.

PALISADES: North River Suite Volume Two is now on view in James McElhinney: Discover the Hudson Anew, at Hudson River Museum in Yonkers, New York. (September 13, 2019-February 16, 2020) Following the success of McElhinney’s Hudson Highlands: North River Suite Volume One (2017) and O.T.W. The Schuylkill River (2018). McElhinney’s prints can be found in the following collections:

Albany Institute of History and Art Avery Fine Art and Architecture Library, Columbia University
Boscobel House and Gardens, Garrison, New York
City of Philadelphia. Water Department Archives.
University of Denver. Library Special Collections. Denver Colorado
Free Library of Philadelphia. Print and Picture Collection
Historical Society of Pennsylvania
Hudson River Museum, Yonkers New York
Huntington Library and Museum, San Marino, California
Independence Seaport Museum
Newberry Library. Chicago, Illinois
New York Public Library. Wallach Division of Art, Prints and Photography
Pennsylvania Academy of the Fine Arts. Archives and Special Collections
Swarthmore College, Swarthmore PA
Temple University. Samuel L. Paley Library Special Collections
West Point Museum, United States Military Academy
Yale Beinecke Rare Book and Manuscript Library. New Haven Connecticut,
And in private collections in California, Colorado, Connecticut, Illinois, Massachusetts, Missouri, New Jersey, New Mexico, New York, North Carolina, Pennsylvania, and New Zealand.

Projected publication date: March, 2019. Retail value 1600.00USD
Reserve a copy by becoming a VIP Advanced Subscriber for 900.00USD
Deposit required: 450.00USD. (Remaining balance of 450.00USD due prior to delivery)
New York Residents add 08% sales tax. Reserve your copy now by writing to editions@needlewatcher.com
To request a bill: contact editions@needlewatcher.com “Subscribe”
To pay by credit card call 347-266-5652
Or pay by check: Payable to Needlewatcher LLC. PO box 142. West Haverstraw, New York. 10993-0142

This offer expires January 31, 2020

To reserve your copy, simply send an email to editions@needlewatcher.com, subject line “Subscribe”

Invitation to Subscribe: DOWNLOAD PDF

Download (PDF, 106KB)

Fact Sheet: DOWNLOAD PDF:

Download (PDF, 795KB)

New Monoprints and Monotypes now Posted on McElhinneyart.com

To go directly to the new Monoprints page, click on the image below

White Rock Canyon. Monotype. Image size 14.5 x 19 inches. Sheet size 22 x 30 inches. Produced for Needlewatcher Editions by Hand Graphics, Santa Fe, New Mexico.

In May and October of this year, master-printer Michael Costello of Hand Graphics in Santa Fe gided me through the process of producing a series of memories and meditations on my fieldwork along the Rio Grande del Norte between Rio Grande Gorge near Taos, and White Rock Canyon near Los Alamos. Selecting two images from my Grand River sketchbook I developed a new composition that compressed page-spread panoramas into a different and less directional aspect-ratio. Additional help came from Thomas Park of Orion Studios, Santa Fe, who was able to transfer my line drawings onto mulberry paper, which Michael used to apply a Chine-colle substrate to the monoprints. Monotypes were developed by making additional drops on ghost prints. To clarify any confusion over the difference, a monoprint is a unique impression that may share elements with other prints. A monotype is a unique impression that repeats no elements that might appear in other prints. A selection of twenty-four out of the thirty works we produced have been uploaded here. Have a look.

http://www.mcelhinneyart.com/monoprints/


Grand River Sketchbook, on view in the exhibition Reimagining New Mexico. June 28-August 3, 2019. Courtesy Gerald Peters Gallery. Santa Fe, NM. Cloth-covered Solander box made by Mita Saldana, Against the Grain Bookbinding. Albuquerque, NM


White Rock Canyon, Late Afternoon. Journal-painting. Watercolor on paper. 3.5 x 10.5 inches. 2019


Confluence of the Rio Pueblo de Taos. Journal-painting. Watercolor on paper. 3.5 x 10.5 inches. 2019